Archive for March, 2011

c/c reading 002: rob halpern, cj martin, julia bloch

c/c reading 002: (Saturday, 2 April 2011)

Rob Halpern
CJ Martin
Julia Bloch

 

 

Fergie’s Pub
1214 Sansom St. (6:30pm to 8:30pm)
($5 suggested donation)

ROB HALPERN is the author of several books of poetry, including Rumored Place (Krupskaya) and Disaster Suites (Palm Press, 2009). He’s also the co-author of the book-length poem Snow Sensitive Skin (together with Taylor Brady, Atticus/Finch Books, 2007), which is currently being reissued in an expanded edition by Displaced Press. A new book of poems, Music for Porn, is forthcoming (Nightboat Books, 2011). His essays appear in a range of journals and anthologies, including Biting the Error: Writers Explore Narrative, Modernist Cultures, ON: Contemporary Practice, and Journal of Narrative Theory.  His work on Georges Perec, including translations of Perec’s early essays on aesthetics and politics, can be found in Chicago Review and Review of Contemporary Fiction. A founding member of the Nonsite Collective, he lives in San Francisco and Ypsilanti, where he teaches at Eastern Michigan University.

C.J. MARTIN is the author of Two Books (Compline, forthcoming 2011), WIW?3: Hold me tight. Make me happy (Delete Press, 2009), Lo, Bittern (Atticus/Finch, 2008), and CITY (Vigilance Society, 2007). He is also a contributing editor for Little Red Leaves and LRL e-editions, and he teaches at TX State University-San Marcos.

JULIA BLOCH lives in Philadelphia, where she co-curates the Emergency Reading Series, works as coeditor of Jacket2, and is completing a Ph.D. at the University of Pennsylvania. Recent poetry appears in P-Queue, Aufgabe, and Peacock Online Review; her book Letters to Kelly Clarkson is forthcoming this year from Sidebrow Books.

a critical response to geoffrey olsen

We here at con/crescent are very excited to post some poems by our friend Geoffrey Olsen.  Recently, we were both quite pleased and lucky to find ourselves critiquing and really investing some time in his work.  So much so, that we’d like to offer you .pdf’s of Mr. Olsen’s work, and our two responses to it.

 

Here is a brief excerpt from Olsen’s Not of Distends*Address Panicked, followed by a .pdf for download:

.         blue wrapping our
.           blue wrapping around

.      avoiding seeing
.          them folding it seeks
.                   return
.             to right altering

.                    multiple chains

.                                they’ve
.                 splintered though I was wanting
.                 desiring to be there as a part

.                             access to sun
.                 response dictates
.                 they were riding next to each other
.        something regional and a way from here. patterning

Not of Distends*Address Panicked download

Here is Jamie’s response, followed by a download for the full:

“Your text is struck through with the present participle tense — the ongoing-ness of experiential space. As I open to the first page, beginning with a blue that wraps both “our”, the shared closeness of an inner dialogue that positions separate bodies, and “around” that field between, the potential space of experience, I am thinking primarily of the infusion of blue in our world — that it is the color of both sky and water because of the way light is absorbed and refracted. We begin with sight, with light as a subject that contains its own conditions, shapes experience, literally “colors” the field on which forms play. That the act of splintering, that sight is an acknowledgement of the break that we live in, allows this text to address the phenomenological complexities inherent in the act of writing. It challenges us to perceive sight, which shifts to the camera image of the eye several lines down, as an act of navigating complex relationships between the “see-er” and the “seen” as an “effort to form one’s mind”. A startling and absolutely necessary concern with which to open this aggregate of shifting space…”

Jamie Townsend’s Response to Geoffrey Olsen download

And finally, here is DeBoer’s response to the text, followed by the full in .pdf

“Initially, I get a sense, more than a color with ‘blue’ and its an easy suggestion to be that of ‘depression,’ but if we allow ‘blue’ to stand, as a color we move into this space of a ‘blindfold’ of the avoidance of sight. Yet, the avoidance also acts as a ‘right’ (as in the right to be something) altering the ‘blindfold’ as a chain worn over the eyes, or the body. I like ‘they’ve/splintered though I was wanting/desiring to be there as a part,’ quite a bit, as in the way it breaks apart, streaming like colored ribbon in a parade, or that tightness that shrieks to the point of lack, to the desire that registers as a need. There is this wonderful, pivot that happens in the space between ‘stanzas’ or whatever it is we are to call it these days. This goes toward the ‘access’ the sun has to response, to dictate the way in which ‘they’ ‘people’ ride next to one another.”

Nicholas DeBoer’s Response to Geoffrey Olsen download

c/c reading 001: dodie bellamy, david buuck & corina copp

c/c reading 001: (Sunday, 20 March 2011)

Dodie Bellamy

David Buuck

Corina Copp

 

Fergie’s Pub

1214 Sansom St (700pm to 900pm)

(Free – $5 suggested donation)

DODIE BELLAMY‘s latest chapbook is Whistle While You Dixie, from Summer BF Press. Her Ugly Duckling Presse chapbook Barf Manifesto was named best book of 2009 under 30 pages by Time Out New York. Other books include Academonia, Pink Steam and The Letters of Mina Harker. Her book Cunt-Ups won the 2002 Firecracker Alternative Book Award for poetry. Forthcoming in April is the buddhist by Publication Studio. She lives in San Francisco with writer Kevin Killian and three cats.  She also runs the popular blog, Belladodie.

DAVID BUUCK lives in Oakland. He is the founder of BARGE – the Bay Area Research Group in Enviro-aesthetics – and co-founder and editor of Tripwire, a journal of poetics. Recently published and forthcoming work can be found in Cannot Exist, Tarpaulin Sky, Sous Rature, Capitalism Nature Socialism, Elective Affinities, With+Stand, and elsewhere. Information and samples can be found at David’s official website.

CORINA COPP is a playwright, poet, and wishful thinker living in Brooklyn. Recent work includes essays on Jean Day, Hannah Weiner, and Sarah Ruhl; and texts that can be found soon or now in Cambridge Literary Review, Cannot Exist, The Brooklyn Rail, Jacket2, SerieAlfa, Wild Orchids, Supermachine, Aufgabe, 6×6, and Antennae. Plays: Tell Only One (Small Press Traffic Poets Theater Festival, Jan. 2011); WALTZ (CSC/E. 13th St. Theater, July 2010, directed by Meghan Finn), and A Week of Kindness (Ontological Incubator/Brick, 2008, co-created with Kelly Kivland). Author of Play Air (Belladonna* 2005), Carpeted (Faux Press, 2004), and Sometimes Inspired by Marguerite (Open 24 Hours 2003), with new chapbooks forthcoming from minutes BOOKS and Ugly Duckling Presse. She’s performed her own work and that of others in London, NYC, and elsewhere. CC is the recent editor of The Poetry Project Newsletter and co-curator of The Twenty-Five Cent Opera of San Francisco.

new reading series through con/crescent press

In our popular duress…we would, indeed, like to invite you to a new, ongoing reading series here in Philadelphia.

The c/c reading series grows out of our desire to provide a space. Space that emerges from the unique intimacy of contemporary writing.

c/c will present writers on a semi-regular schedule throughout the year. It will aim to foster dialog between local and visiting writers, focusing on community ties and the expansiveness of the creative act.

We are looking forward to this beginning. An exploration of states of quantum consciousness and consciousness of the body. Spaces both personal and universal.

Come join us celebrate writers who make us want to write, that make us think its impossible, but also the most important thing in the world.

Thanks and we look forward to seeing you there!